Posted on May 6th, 2013 | 96 comments
These days, I’m sensing that many authors are gung-ho to write and publish as much as possible. Now that the term “hybrid author” has been coined, referring to those who are both traditionally and self-published, everyone thinks they want or need to be one. As one author put it, “It seems like the time is now! It’s time to be prolific!”
I am not sure what makes people think “the time is now” as if we are in some kind of awesome bubble that is going to burst soon. We’re not.
We are in a long, slow transition period of our industry, in which people are experimenting with different ways of doing business. Some will work, some won’t. More importantly, different things will work for different people.
More does not always equal...
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Posted on Jan 23rd, 2013 | 42 comments
It’s rare for me to post anything strictly promotional here on my blog, but today is a special day for me. My first self-published e-book is now available on Amazon! Here’s the info:
How Do I Decide?
Self-Publishing vs. Traditional Publishing
There is plenty of information available on both traditional and self-publishing.
But how do you decide between the two?
How Do I Decide? is a concise, definitive resource that will guide you through the decision, allowing you to ignore the noise and hype and focus on the right path for YOU. This is a fair and balanced approach that avoids favoring one choice over the other—and instead shows you how to determine which best fits your own situation.
About 50 pages jammed full of insider information, How Do I Decide?...
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Posted on Jan 11th, 2013 | 221 comments
Guest Blogger: Jennie Nash (@jennienash)
My first six books were all published by major New York houses, including Scribner, Simon & Schuster, Crown, and Berkley/Penguin. I adored my editors and their teams, but I was a midlist writer getting midlist attention, and the midlist was starting to feel like purgatory. For my seventh book, Perfect Red, a historical novel set in 1950’s New York, I decided to self publish. Why I made that decision is a story for another day, and how it turns out, economically-speaking, has yet to be determined. But a few revelations about the process have surprised the socks off me. Herewith, the top five:
1. I underestimated the weight of having the legitimacy of a traditional publisher. When I could say, “My third novel is being published by Penguin,”...
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Posted on Nov 19th, 2012 | 85 comments
These days, authors are carefully considering the merits of self-publishing versus traditional publishing, and many are doing both at once. (My upcoming e-book: How Do I Decide? Self Publishing vs. Traditional Publishing, will help with these decisions.)
I’m having almost daily conversations with my clients, most of whom are already traditionally published, about various ways they can extend their brands, increase their income and/or grow their readership by self-publishing e-books “on the side.” I’m coming across some interesting questions during these discussions. One that I’ve been hearing lately comes from authors trying to figure out how they can make the most money with their next book: through traditional or self-pub. They’re trying to estimate...
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Posted on Jul 24th, 2012 | 85 comments
If you read the publishing blogs and follow industry Twitter feeds, you’ve no doubt gathered that there’s a firestorm of controversy over Pearson, the parent company of Penguin Books, purchasing a company called Author Solutions (ASI), a well-established self-publishing company. You can read numerous diverse opinions on this acquisition and plenty of astute commentary (links at the end of the post) but here, I want to focus on one tiny aspect.
What is the most important thing for an author to understand about a traditional publisher entering into the self-publishing fray?
As it happens, I addressed this very issue over 2½ years ago on the blog (December, 2009). Much of what follows is what I said back then.
Self publishing represents a completely different business model from...
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Posted on May 30th, 2012 | 49 comments
More and more, I get emails from people who have self-published, asking me whether I take on self-pubbed authors, or whether they even need an agent if they’ve already gone the DIY route. This is a topic that will require several posts to completely cover, but I’ll get it started today by answering a few of the basic questions I typically see.
If I’m self-published, why might I still want an agent?
1. If your self-published books are extremely successful, you may want an agent to shop the print rights and subsidiary rights such as audio, film, and foreign rights. “Extremely successful” can be defined in various ways, but certainly it would mean you’ve sold several thousand units on your own in a short period of time, maybe a few months.
2. If...
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Posted on May 8th, 2012 | 125 comments
Back in the early ’80s there was an ad campaign for Paul Masson wine where Orson Welles famously uttered, “We will sell no wine before its time.”
The message was powerful; it conveyed, “We care so much about producing the highest quality wine that we refuse to rush the process. We won’t try to bring it out faster to increase profit. We won’t skimp on the craftsmanship that makes our wine so good. It takes time, and we will give our wine the time it needs.”
I couldn’t help thinking about that as I considered what I wanted to say today about the time and craftsmanship it takes to write a high quality book. I’m not talking about a book that everyone has to love. I’m talking about a book that has the basics: a solid story,...
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Posted on Apr 11th, 2012 | 135 comments
On the heels of our lively debate the other day on my post “6 Reasons Authors Still Want Publishers,” today let’s look at the other side of the coin. Many of you are still trying to decide which path is right for you — or if maybe some combination of both might work. So hopefully these posts and the discussions in the comments will be helpful.
So here are six reasons writers choose self publishing:
1. To supplement an established writing career.
As we talked about a couple of weeks ago in our series on making a living as a writer, it’s a lot of work to be a full-time writer and be able to make a good income. These days many full time writers with traditional publishing contracts are self-publishing both new books and their backlist as a way to supplement their...
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Posted on Apr 9th, 2012 | 183 comments
In an age when so many of the “big stories” in publishing are about amazing self-pub successes, people are asking more and more, “Why would I want a traditional publisher?”
Here are six big reasons.
1. Objective validation
To be “chosen” by a publisher means that a group of people who are widely read, and who see dozens of new projects come across their desks every single week, believe your book has value and will find a reading audience. It means that people who see all kinds of writing—from really bad to really great—believe that yours is somewhere in the ballpark of “really great.”
2. Editing and design
Virtually all writers, including the very best, will find their writing improves and their books are better because they’ve...
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Posted on Jan 16th, 2012 | 68 comments
http://www.rachellegardner.com/wp-content/uploads/2011/07/questions-150x150.jpg
Marcy Kennedy wrote:
I’m committed to finding a traditional publisher for my novel. Not only has that always been the dream, but I also like that a gatekeeper has to approve the quality of my work. That said, have you ever advised a client to self-publish a work that you think is fantastic but hasn’t been able to find a home at a publisher? Under what circumstances might you make that recommendation?
Good question, Marcy. These days, agents need to be aware of a far greater variety of publishing options than in the past. Self publishing is one of those options.
The circumstance under which I’m most likely to suggest an author consider self-pub is when we can’t get a publisher to bite, but we believe in the book AND the author has the means to sell the book on her own.
That...
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Posted on Oct 6th, 2011 | 44 comments
Guest Blogger: James Scott Bell
With the e-publication of my new suspense collection, One More Lie, I’m happy to count myself as a writer of pulp fiction.
What is pulp fiction anyway? Please don’t get anywhere near confusing it with the nihilistic, over-praised and much too often over-copied film of the same name. True pulp fiction goes back to the magazines that used cheaper pulp paper in order to sell in great volume to a voracious reading public. These magazines had their heyday in the 1920s, ’30s and ’40s.
It was fiction for the people, for the guy on the crowded subway going to work, or the busy mother with five kids who got a little reading time at night. It was for the people who wanted to be caught up in a fictive dream. It was not written in a style aimed...
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Posted on Aug 16th, 2011 | 118 comments
Dear Rachelle: Could poor self-pubbed Kindle sales affect a writer’s chance of getting an agent in the future? Is a pseudonym safer? Signed, Considering Self Pubbing
Dear Considering:
Yes, if you’ve self-pubbed a book and it sold poorly, it could affect your chance of getting an agent and getting traditionally pubbed in the future.
But of course, there’s the sticky wicket of defining “poor self-pub sales” which might be different depending on who you’re talking to. It used to be that the average self-published book sold 200 copies (or fewer). Nowadays, that’s probably still true, but there are self-published authors selling thousands of books a week, so an average is not only difficult to find but virtually meaningless. I’d say, you’ll only impress someone if...
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Posted on Jul 9th, 2011 | 75 comments
Guest Blogger: Mary DeMuth
I never thought I’d self publish anything. Truly. I’m a traditionally published girl with eleven books under my author belt. I love my publishers, love what they’ve done. But there came a time when one of my book ideas didn’t fit within their needs.
The kernel of the idea to e-publish started when I pioneered my nonfiction and fiction proposal tutorials to help authors with the difficult process of writing a book proposal. Sure, they were simple e-documents I sold from my site (and they’re available here on Rachelle’s blog by clicking on “Resources for Writers” above) but they weren’t made of paper, and they’ve proven to be a financial blessing. I don’t make a lot, but the amount helps me pay my...
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Posted on Jun 28th, 2011 | 105 comments
This has to be the most common question I get these days, from all kinds of writers including my clients. To use the words of one of my authors:
Am I hurting my traditional career by self-pubbing? My pressing goal is to become a best-selling, traditionally published author.
First of all, if you’re agented, the right thing to do is discuss it with your agent, because that’s who knows you and what kind of books you write. The answers I give here are generalizations and each situation (as always) is unique.
But the answer is . . . NO.
Self-publishing probably will not hurt your chances of traditional publishing.
This is a 180 degree switch from just a few years ago! There was a stigma, as you know, attached to self publishing, and authors who went that route risked alienating...
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