Posted on Nov 28th, 2013 | 12 comments
Guest Blogger: Bryan Cohen (@bryancohenbooks)
Self-motivation is crucial for authors, regardless of which publishing path you choose. Writing a book is difficult enough, but when you add on editing and marketing, it can feel impossible. And I’m crazy enough to have self-published 32 times. How did I do it? I learned a few ways to trick myself into doing work when my brain wants nothing but mindless entertainment.
Tricks for Writing
My inner critic hates it when I write. This voice in my head enjoys pointing out all the faults in my work and howls with laughter when I close up shop early for the day. My most prolific writing periods came after I silenced the inner critic.
I accomplished this in two distinct ways. The first method was writing so early in...
Posted on Jun 3rd, 2013 | 30 comments
If you’ve been writing books for long, you may have come across the challenge of keeping the details straight so that you can be consistent throughout the book. If the hero has blue eyes on page 1, he shouldn’t have green eyes on page 50. If your non-fiction book capitalizes “Servant Leadership” in the first half, it shouldn’t be lowercase in the second half. But how do you keep track of these things without having to rely on your memory?
You could create an Editorial Style Sheet. This is what editors do when they line-edit or copyedit your book. It’s ultimately their responsibility to see that everything is as correct and consistent as possible throughout your book, so as they’re editing, they write down details; names of people, places, businesses and all...
Posted on Dec 7th, 2012 | 51 comments
Guest blogger: Richard Mabry, M.D. (@RichardMabry)
I had delivered my latest manuscript to my publisher, and a few weeks later received my revision notes from the editor. I was, to put it mildly, caught off guard.
The notes suggested some pretty big changes. As I read through them, I kept saying, “But that’s not what I had in mind.” I wondered why the editor wanted to rewrite my manuscript. Aren’t I the writer here? Isn’t my name on the book? I wasn’t happy.
But after sitting with it a few more days…
I noticed that my in-house editor, my substantive editor, and my beta reader (yes, my wife) had all made the same suggestion for the opening. Hmm.
I started rewriting, and amazingly enough, it was all coming together. By the time I’d reached...
Posted on Oct 17th, 2012 | 76 comments
Whether you’re working with a traditional publisher or you’re self-publishing your book, the only way to ensure excellence in your final product is to put your work through a rigorous editorial process, consisting of more than one round of editing. Following are the three basic types of editing that your manuscript may go through. Every publisher has their own process, and they may call each step of the process by a different name.
1. The Content Edit (developmental, substantive, or macro edit; sometimes simply called revisions.) This is where the editor gives big-picture notes. Fiction: plot, characterization, scene crafting, POV’s, and all the other elements of your story. Non-fiction: logical flow of ideas, readability, strength of argument, interest level. The...
Posted on May 23rd, 2012 | 81 comments
Several of you have been curious about editing inside a publishing house. Every publisher has their own process, and they may call each step by a different name. It’s basically three steps, and they’re usually done sequentially, although there is overlap and not every publisher does all three of these steps. The edits might be done by one person, or two or three people.
1. The Macro Edit (developmental, substantive, or content edit; often simply called revisions.) This is where the editor gives big-picture notes on plot, characterization, scene crafting, POV’s, and all the other elements of your story. They don’t actually edit your work, they simply give you a set of notes and send you back to work on your revisions.
2. The Line Edit. The editor works directly in...