Posted on Jan 28th, 2016
It seems in the last few years, dialogue about all-things-publishing has been focused on platform, marketing, increasing output, distribution platforms, technology, and self-publishing. But I think it’s important to call our attention back to the work.
Two years ago in January 2014, I posted a prediction for the coming year:
“I think authors will re-focus on the foundational importance of writing a good book. Conversations will be more about mastering the craft and less about the logistics of publishing. People are becoming aware that while options are expanding because of self-publishing, and it may be easier than ever to get your work out to readers, the process of writing a good book is the same as it’s ever been. It’s challenging, it’s grueling, it’s...
Posted on Jan 18th, 2016
Got a terrific nonfiction project you’re trying to sell? Wondering if you have what it takes? Here are some signs of potential future success as a nonfiction author:
1. You’ve previously written a book that was at least mildly successful… maybe something like The 7 Habits of Highly Effective People.
2. You have a recognizable name. For instance, Bradley Cooper. Or Oprah.
3. You are currently a top candidate for President of the United States.
4. You have recently won several gold medals in the Olympics. In a sport people care about.
5. You have come up with a life-changing, magical method of organizing people’s stuff. And it involves talking to your stuff.
6. You are the founder of Microsoft.
7. You are the…....
Posted on Jan 12th, 2016
“To my knowledge, nothing like this has ever been written. Ever. It is utterly fresh, mine and complete.”
That was a line in a query I received.
It’s hard to explain how this sounds to agents and editors who get pitched everything under the sun, are typically well-read, and are aware of what’s going on in the publishing marketplace. The book might be unique but not to the extent the writer seems to think.
When pitching your work, you have to walk a fine line: Be confident, but don’t come off as grandiose. Stress your original and fresh voice, yet don’t be afraid to acknowledge there have been other books similar to yours, whether in plot, style, theme, whatever. Yes, you want to be unique, but you can’t make wild claims that just aren’t...
Posted on Oct 1st, 2015
More writers are hiring editors these days, whether they’re going indie or just making sure the manuscript is polished before submitting to agents and publishers. If you’re a newer writer, unpublished, here are some things I think you should do before spending your hard-earned money on a freelance editor.
(1) Get objective feedback.
It’s best to have a critique group or partner, if possible. Try to get the most honest feedback you can—not on grammar and punctuation, but on the overall content of your book. Are readers finding the book engaging? Are they reading to the end? Are they confused?
(2) Edit & revise your book using reputable sources.
Find fiction resources HERE. My favorites for the revision phase are Self Editing for Fiction Writers by Browne &...
Posted on Sep 17th, 2015
I’ve been coaching several of my clients through the process of coming up with a good title for their book, so I thought I’d share my tips with you.
Let’s start by acknowledging a few things. The publisher is usually responsible for the final decision on title, and in the query stage, it’s not that important. In fact, some agents have said they don’t pay any attention at all to titles. But at some point, you’re going to want to think seriously about this. Your title is part of the overall impression you’re creating about your book. It can set a tone and create an expectation. Whether you’re pitching to an agent, or your agent is pitching to publishers, I think you want to have the strongest title possible.
Think of it this way: the better...