Pitching Your Projects

Pitching Your Projects I’ve posted on this topic numerous times, but since I’m going to a conference this week and will be hearing dozens of pitches, I wanted to go over (once again) some tips for pitching to agents and editors. We can probably all agree on the “don’ts” of pitching your project. Don’t pitch in the bathroom. Don’t pitch a novel that’s nowhere near ready. Don’t pitch with your mouth full. What are some positive tips we can all use? I think the secret to making a great pitch is to start with a bit of context or background, then tell me about your book. It doesn’t have to be in-depth, considering your time restraints. But take a moment to introduce yourself and your project before pitching. Too often, people sit down and nervously launch...

Creatively Pitching Your Project

I’m blogging over at Books & Such today. Here’s a preview: This week, we’ve been telling you about our experiences at the ICRS convention where we spent the bulk of our time talking with publishers and editors about you — our clients. These meetings put us in the same position you’re in at a writer’s conference when you’re pitching your project to an editor or agent. We have a limited amount of time. The people with whom we’re speaking have had many other meetings and are likely tired and overwhelmed. We are challenged to convey everything pertinent about each project in a brief verbal pitch. We have to tailor our pitches to each editor, giving them what (we hope) they want. We must generate excitement about each project on the spot for us...

Should You Re-Query an Agency?

Should You Re-Query an Agency? One of the most common questions I receive is, “When is is okay to send another query to an agent who previously passed?”Another is, “If an agent passed on my query, can I send the query to another person at the same agency?” There are various scenarios to consider, so here’s an overview. First, whenever you are going to re-query, it’s a good idea to open your letter with a brief mention of your previous interaction with the agent or agency, and an explanation of why you’re writing to them again. (BRIEF.) That way, if your name sounds familiar to the agent, they won’t be sitting their scratching their head trying to figure out why. Let’s look at some different situations. Sending the same query to a different agent at an agency that...

Why You Should Pitch a Single Book

Why You Should Pitch a Single Book If you’re like most writers, you’re probably not writing just one book. You’ve written multiple books, possibly in different genres. You may have a whole 3 or 6 or 9-book series planned. So the question naturally arises: Should I pitch my whole series to an agent? Should I tell them about my entire body of work? After all, I want an agent to represent all my work, not just one book. Along similar lines, reader Jan wrote on Facebook: Whenever I check an agency’s guidelines, they always talk about pitching a particular book. I already have a book published, and I’m looking for an agent to help me build my career. How do I query/pitch in that situation? The answer is simple and clear: When querying or pitching an agent, always start with just one...

Query Lines to Make an Agent Sigh

Query Lines to Make an Agent Sigh I was going through my current batch of query letters, and while many of them are very good, it reminded me how difficult it is to write a strong pitch. You have to accomplish so many things in a concise format: introduce your book in a way that the agent wants to read it; give just enough information about yourself to be helpful; convey a bit of your personality; avoid query landmines and clichés. I understand it’s not easy. I never reject writers for making one silly mistake in a query — I sincerely assess whether the book being pitched looks interesting to me. But as I was going through my current batch, I found most of the same kinds of “sigh worthy” lines that I’ve been seeing for years. Try not to say things like this: 1. I’m certain this memoir will...

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