Are You a Rookie or a Professional?

I am taking a blog hiatus, and will feature a combination of previous posts and guest bloggers each day through August 10th. Please keep visiting and commenting!
~Rachelle

Guest Blogger: Peter DeHaan(@Peter_DeHaan)

For the past thirty years, I’ve been submitting articles to periodicals, and for the past eleven I’ve also been on the receiving end as a trade magazine publisher and editor. This gives me a 360-degree understanding of what happens to an article from conception to publication – and everything in between.

In my role as submission gatekeeper, I see a wide variety of articles, from the interesting and finely honed to those missing the mark and sloppy. I also deal with all manner of authors, from the skilled professional to the high-maintenance novice.

These two factors result in four possible combinations of article/author dynamics:

  1. You have a great article and are professional: Your work is on the fast track to publication; feel free to send me an article every month and I will seriously consider it.
  2. You have a great article but are hard to work with: I groan when I see your email, look for an excuse to reject your submission, and give it a low priority.
  3. Your article needs work but you don’t: I appreciate your effort and will give your submission extra attention to make it great, knowing you will humbly accept my edits and be thankful for the results.
  4. Your article needs work and so do you: Sorry, you’re out of luck.

Therefore, for the greatest chance of having your article accepted, you need to create a powerful piece and be easy to work with. Although there’s a plethora of resources to help writers refine their writing, there’s not so many addressing the supporting issues that can mean the difference between rejection and acceptance. Consider the following contrasts between rookie and professional writers.

You May Be a Rookie If You:

  • Forget to spell-check your work: This is simply inexcusable.
  • Leave “Track Changes” on and include your reviewer’s edits: This means you were in a hurry or haven’t yet mastered your word processor.
  • Submit the wrong version: This error tells me you’re not organized.
  • Assume the submission guidelines don’t apply to you: Guidelines are for the writer’s benefit; learn them and embrace them.
  • Insist that no edits be made or require approval of all changes: All submissions will be edited; that’s a reality of periodical publishing. The only exception is publishers who don’t care about quality – and do you really want to be associated with poor quality?
  • Think artistic formatting equals creative writing: The use of italic, underline, bold, and all caps to add emphasis is not a sign of writing creativity but a lack thereof.
  • Insert needless self-promotion: If you do this once, I may edit it out; if done too much, I’ll simply reject your submission.
  • Argue to have your work accepted: No means no – and there’s no discussion.
  • Beg for feedback: A writer who needs help with his or her craft should seek it from a different source prior to submission.

You Are a Professional Writer If You:

  • Produce articles that require few edits: You do whatever it takes to submit your best work.
  • Do what you say: When you promise a piece, you always deliver.
  • Meet deadlines: Deadlines are needed to produce a magazine on time, and you respect them, always meeting or exceeding expectations and never requesting an extension. You also understand that merely submitting your piece on time doesn’t guarantee a place in the next issue.
  • Know your target: Be familiar with the publication you’re submitting to, understanding its style and content.
  • Understand how the industry works: You comprehend periodical lead times and space limitations; you accept edits and deferred publication.
  • Minimize non-work-related communication: You keep your communication focused on business and don’t engage in superfluous interaction.

I’m not advocating perfection – I certainly miss the mark on that – but striving for excellence is a worthy goal all writers should pursue.

There’s more to be considered, but this is a good starting point.

What would you like to add?

* * *

Blogger Peter DeHaanPeter DeHaan has been writing for thirty years but has only called himself a writer for the last three. He recently completed his PhD dissertation on Christian unity and is currently working on two nonfiction books on church attendance: God, I Don’t Want to Go to Church and 52 Churches.

Peter actively maintains five blogs, which can be accessed from www.AuthorPeterDeHaan.com.

Peter will be speaking at the upcoming Breathe Christian Writer’s Conference, October 12-13, in Dutton, Michigan (near Grand Rapids).

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  • http://bansheeweaver.blogspot.com Christine Dorman / @looneyfilberts

    Excellent information and examples, Peter. Thank you. I especially liked your author / writer dynamics section. #3 is encouraging. Thanks again!

    • http://www.authorpeterdehaan.com/ Peter DeHaan

      Christine, I’m not sure if all editors react the same as I do to #3 (less-then-ideal submissions from easy-to-work-with authors), but it makes sense to me to work with them.

      And I’ve never been disappointed when I’ve done so.

      • http://einefeistyberg.wordpress.com Cherry Odelberg

        Yes, the question is; how to move from #3 to #1?

        • http://www.authorpeterdehaan.com/ Peter DeHaan

          Great question! In addition to simply putting in the time and writing, the three things that have helped me the most are:

          1) Writing every day
          2) Participating in a writers’ critique group
          3) Reading, especially outside my genre

          • http://wwiinurseshumbleheroeshomefron-gerri.blogspot.com/ Gerri Wetta Hilger

            Wonderful, helpful blog and answer about moving from 3 to 1. Goals I keep setting and then break due to life—and lack of commitment if truly honest.

          • http://geraldthewriter.com Jerry

            3 to 1…this is good.

  • http://pjcasselman.wordpress.com/ P. J. Casselman

    Thank you for you guest blog, Peter. While I’ve got you on the phone and if I may ask (clears throat), where would be a good place to locate Christian periodicals that accept articles from new writers?

    • http://bethvogt.com Beth K. Vogt

      No, I’m not Peter DeHaan, P.J., just in case you didn’t look closely at the gravatar.
      :)
      The resource you’re looking for is The Writer’s Market, produced annually by Writer’s Digest Books. It has information about periodicals — and much, much more. (OK, I’ll stop now so I don’t sound like an infomercial.) There’s also the Christian Writer’s Market Guide.
      Go ahead, google ‘em.

      • http://bansheeweaver.blogspot.com Christine Dorman / @looneyfilberts

        At the risk of sounding like a WD rep, I agree, Beth. The Writer’s Market is an excellent resource. And P.J. you can get an online subscription or buy a print version, whichever you prefer.

        • http://pjcasselman.wordpress.com/ P. J. Casselman

          Motion seconded and calling for the vote. ;-)

        • http://www.thewritersfriend.net Donna Clark Goodrich

          The Christian Writers Market Guide is also an excellent source.

      • http://pjcasselman.wordpress.com/ P. J. Casselman

        Why thank you, Beth :)

    • http://www.atlasmediank.com Adam Porter (@AtlasProWriter)
      • http://pjcasselman.wordpress.com/ P. J. Casselman

        Thanks Adam!

        • http://bethvogt.com Beth K. Vogt

          Gosh, we’re a helpful bunch! :)

  • http://www.jennifermhartsock.wordpress.com Jennifer M. Hartsock

    Very nice. I agree: You don’t need to be perfect, you just need to exercise your your best efforts.

    (Studying AP style has saved my bahookie on many occasions when submitting my articles).

    Write well,
    Jennifer

    • http://www.authorpeterdehaan.com/ Peter DeHaan

      As Beth and Jennifer said, I also highly recommend The Writer’s Market, Christian Writers’ Market Guide (for submission info) and Associated Press Stylebook (aka “AP,” to present your words in a consistent and acceptable style — I happen to use The Chicago Manual of Style, as it works best for most of my writing.)

      The first two books are revised annually and you really need to be working with the most current version. I consider them an investment in my career.

      • http://geraldthewriter.com Jerry

        Made note of those Peter. I have the Chicago book. I will look into the other one. Thanks.

  • http://merceyvalley.blogspot.com/ Mercey Valley

    Thanks for re-posts because they’re always a good reminder.

    Hope going tech-free is as good for you as it was for me last year. LOVED it.

    Thank you, dear lady. x

  • http://blessed-are-the-pure-of-heart.blogspot.com Andrew Budek-Schmeisser

    I wonder how many aspiring writers’ personalities are subconsciously influenced toward the unprofessional by the cultural icon of the artist as the “impossible genius” living above the rules meant for the common clay?

    The reference which comes to mind is of course “The Fountainhead”. I doubt it’s read much today – but how many teens in the past idolized Howard Roark’s “uncompromising integrity” toward his art? It does speak effectively to the rebellious nature of the young, and inculcated many with “the value of ego”.

    (Personally, even when I was an impressionable rebellious ego-driven youngster, I found “The Fountainhead” a pretentiously unreadable load of goofball hooey.)

    Obviously, you can take the ‘life imitating art’ argument only so far, but I suspect that many writers with a very professional demeanor managed to avoid the treacly trap of tendentious tripe which would have tried to turn them toward the icon of the artist as a person of innate privilege.

    • http://blessed-are-the-pure-of-heart.blogspot.com Andrew Budek-Schmeisser

      According to Wikipedia, many architecture students named their dogs Roark, in homage to “The Fountainhead”‘s protagonist.

      Rather appropriate, as many dogs are quick to render paeans to all architecture within reach.

      • http://einefeistyberg.wordpress.com Cherry Odelberg

        Help! Alliterative dog expert on the loose.

      • http://www.atlasmediank.com Adam Porter (@AtlasProWriter)

        Nice euphemism. When I walked out to get the mail a neighbor dog was rendering his paean on my front yard oak tree. I think tomorrow I will ask my neighbor to teach his puppy to render paeans elsewhere in the future…then I will just walk away.

        I figure, if there must be a crazy person in my ‘hood, I’ll apply for the job.

    • Amanda

      I think you’re on the mark here. I have known writers and other artists who think they are ARTISTS and don’t need to play by the rules.

      I think the distinction that those ARTISTS should make is this: you can never submit to notes or critiques, always exicute your vision and your vision alone. This means if you are way off the mark, you’ll never know and for sure you’ll never get paid. Oh, and you’ll never get better. But you’ll be an ARTIST. Or you can take critiques seriously and learn from them. You can tailor your work to what is desired and get PAID. So you may not be the perfect unadulterated ARTIST but you will be a professional.

    • http://pjcasselman.wordpress.com/ P. J. Casselman

      Artists are only unprofessional because they are tortured souls. Therefore, I support art by whacking artist in the knees. Everyone must do their part.

  • http://www.booksandsuch.biz Wendy Lawton

    Writing articles is a perfect companion to writing a book. If you write on your specialty you are getting known as a go-to person. But, either way, you are getting out there and getting your byline recognized.

    After you’ve published a book, that bio paragraph at the end of the article is the perfect place to let thousands of readers know about your book. One year– the last year I focused primarily on writing articles– I reached almost 10 million subscribers. Not bad exposure.

    BTW, Peter, it’s fun to comment on your blog for a change. ;-)

    • http://www.authorpeterdehaan.com/ Peter DeHaan

      I enjoy plugging writers’ work in their bio, be it their book, blog, website, or company name. But it’s amazing how many don’t bother to take advantage of that opportunity.

      (BTW Wendy, I am honored to read your comment to my post.)

    • http://pjcasselman.wordpress.com/ P. J. Casselman

      I need to start writing articles, Wendy. Now all I have to do is figure out where to submit them. Oh, and how to write an article…that might help. GRIN

  • http://www.erniezelinski.com Ernie Zelinski

    Great article.

    I particularly like:

    “Do what you say: When you promise a piece, you always deliver.”

    Be impeccable with your word, in other words.

    Related to this are the words of Joe Vitale:

    “Who’s listening when you say you are going to do something?

    • When you make an agreement with a friend, who’s listening besides your friend?
    • When you make an agreement with a company, who’s listening besides the company?
    • When you make an agreement with yourself, who’s listening besides you?

    When you say you are going to do something – no matter how big or small –you best do it. Not only are other
    people listening, but so is your own unconscious mind. When you don’t keep your word, you communicate that nothing
    you say can be trusted.”
    — Joe Vitale

    Also,

    “Your agreements should have holiness by virtue of the fact that you made them and no one else did. The Universe doesn’t care about your reasons or excuses for breaking agreements. Reasons and excuses don’t count. The Universe only cares whether you keep your agreements and rewards you accordingly.”
    — from “Life’s Secret Handbook”

    Ernie Zelinski
    International Best-Selling Author, Innovator, and Prosperity Life Coach
    Author of “How to Retire Happy, Wild, and Free”
    (Over 150,000 copies sold and published in 9 languages)

    • http://pjcasselman.wordpress.com/ P. J. Casselman

      Integrity is in heavy demand, but the supply is dwindling.

    • http://geraldthewriter.com Jerry

      Thank you! Noted.

  • http://michaelseese.blogspot.com/ Michael Seese

    “Assume the submission guidelines don’t apply to you.” But if they applied to ME, they’d be called “rules.” Seriously, as a submitting author, that is one thing I pore over, since every publisher has their own little nuances. If the submission guidelines say the subject line should be “QUERY: Your Title,” I put “query” in all caps AND include the semicolon.

    To answer “What would you like to add,” if I’m submitting to a magazine, I try to find their editorial calendar, and see what they are looking for in the future. That way, I can be proactive and offer it in advance.

    And I’m ALWAYS willing to edit.

    • http://www.authorpeterdehaan.com/ Peter DeHaan

      Checking the editorial calendar is a great suggestion.

      The main thing is to check it well in advance. Too often I’m contacted by writers who noticed the editorial calendar after the submission deadline.

      When an author submits a great piece that’s in line with the editorial calendar, I strongly consider featuring it as the cover article. Regardless, they will definitely receive a prime location in the magazine.

      A related idea to to submit seasonally appropriate articles, which require even more advance planning — like submitting a Christmas-themed article in August.

  • Susan Foy

    I have occasionally asked for feedback, not because I don’t ask for it elsewhere (I do) but because it becomes so frustrating to get the “thanks, but no thanks” kind of response over and over and not know what I’m doing wrong. Sigh!!!

    • http://www.authorpeterdehaan.com/ Peter DeHaan

      Susan, I feel your pain. I, too, crave feedback for my writing so that I can improve (which is why I’m in two critique groups).

      Early on as publisher, I would try to give writers feedback — and it seldom went well. Few received it as constructive criticism and most wanted to debate or argue my opinion.

      In one of my most embarrassing moments, I became exasperated with an “English-as-a-second-language” writer who won’t accept my explanation for rejecting his piece.

      I was too blunt when I told him “your words are English, but I have no idea what you are saying.” Oh, how I wish I would have typed a kinder response.

      • http://bansheeweaver.blogspot.com Christine Dorman / @looneyfilberts

        Peter, as an English teacher, I relate to your experience of offering help and receiving argument in return. Just as some of my students think I’m a wicked old witch for not putting A’s on poorly written papers (or papers that don’t conform to the assignment directions), sometimes we writers picture editors and agents as ogres who block our paths. Your comment here is a good reminder that editors (and agents) are human and that many really want to help writers but A) they have a job to do and B)some writers make it so difficult.

        • http://www.authorpeterdehaan.com/ Peter DeHaan

          …and our society conditions us, especially young people, to believe that everything we do is great (even when it’s not).

          • Amanda

            Right! I am so over this. It is one of my biggest pet peeves that no one can take any critisism anymore and everyone thinks they deserve something.

            I love critisism. It makes me much better.

          • Amanda

            oops. criticism (I really do spell check before I submit!)

      • http://zebedeerox.com zebedeerox

        Peter, hi.
        I disagree with you. Only to the extent that you are now regretting the fact that you told the writer whose English was but wasn’t where to get off. Don’t. More of the same, please, I say.

        The internet is crammed with ‘articles’ that have been spun (in my eyes, plagiarised) for the sake of page-ranking crawlers. Bots can read them, humans can’t.

        Quite frankly, there should be mediators for everything that gets published on line – the internet, after all, is a common place to find useful information, not illegible tripe artificially manufactured by a third-world freelancer happy to earn $0.50 for a 500 word ‘article’.

        Sir, you have done us all a favour by being blunt with this writer – if you could replicate that a million times over the Internet would be less cluttered and the keen tool it was designed to be.

        P.J. – re: article writing, where to submit and getting used to writing daily. There are freelance agencies online, Elance and oDesk are two of the better ones.

        The pay is not great to start whilst you build your ratings, but reputable writers can earn a decent living – one of my LinkedIn connections writes solely for clients on oDesk and earns in excess of $30k per annum.

        If nothing else, it will get you into the habit of writing every day and keep you on trend with the fastest-growing marketplace for writers on the planet.

        Peter – thanks for the great article; P.J. – good luck!
        Zebedeerox.

  • http://www.atlasmediank.com Adam Porter (@AtlasProWriter)

    Peter, having been on all sides of the equation myself, I very much appreciated both your content and your candor.

    I’m not sure about other editors, but, while I love writers with dynamic #1, I particularly relish dynamic #3. Probably because I was once that guy, and an old newsie with ink in his veins took the time to show me how to get to #1.

    Over my career I’ve done my best to pay it forward.

    • http://www.authorpeterdehaan.com/ Peter DeHaan

      Adam, I think we were all once that guy. The important thing is to steadily move from #3 to #1, without stopping at #2.

      • http://pjcasselman.wordpress.com/ P. J. Casselman

        Adam, I’m also thankful for mentors. They can change the course of our lives.

        Peter, number two is an apt name for that disposition. :)

  • Jeanne

    Peter, what a great post. I appreciated your thoughts as well as your perspective about how some editors/publishers view authors and articles. Knowing that you, and hopefully others, are willing to work with writers who may not have a lot of experience but are teachable is encouraging to me. :)

    I’m new in writing fiction and attempting to write articles for magazines. Thanks for showing me a good mindset to maintain.

    Your descriptors for those who are professionals all seem like common sense. Being respectful and a person of your word go a long way in most professions.

    • http://www.authorpeterdehaan.com/ Peter DeHaan

      Well said, Jeanne.

      In a way, I’m new to fiction too, having taken a three decade break from writing (and even reading) fiction. I’m glad to be back, even though I have more ideas and projects for non-fiction than for fiction.

      I wish you the best in your fiction writing.

  • http://www.thehahnhuntinglodge.com Nikole Hahn

    I made one mistake where I misread the guidelines. The editor sent it back for me to edit and resubmit. I resubmitted, then got a very nice rejection letter detailing how well written the article was, but that she was outvoted. The only problem they had was the unhappy ending of the main character.

    • http://bansheeweaver.blogspot.com Christine Dorman / @looneyfilberts

      Nikole, I know it’s frustrating, but try to feel encouraged by the experience. That one editor obviously believed in your work and it’s great that she tried hard to get it published. Your writing has to have been quite good or she wouldn’t have gone to bat for you. Just keep at it. :)

      • http://www.thehahnhuntinglodge.com Nikole Hahn

        Oh, I was encouraged. :o ) The piece caused much discussion among them. I was pleased that my piece got so much attention. They also invited me to submit another piece again. So it was good, but so close. LOL. That’s part of being a writer. We learn to wait.

  • Maria

    Hello. Thanks for your informative post. I have to disagree with one part: You’re a rookie if you require approval of all changes. I have to tell you, I have had a few bad experiences that have led me to always request to edits before print.

    Once, for a newspaper, I submitted a piece (an interview with a well-known author) and the editor added an introduction that didn’t make a whole lots of sense, and just seemed to express his own adoration of the author. Then he added facts that were not correct. When I saw the published piece, I was in shock. What happened to my article? When I asked him what happened, he simply said he “reserved the right to edit,” and when I told him the facts entered were incorrect, he said they were correct “as far as he knew,” (he obviously didn’t fact check) and I “shouldn’t question.” Now I would call that unprofessional and “rookie” type behavior from an editor.

    I had another incident, with a magazine, where I was asked to write about fasting in anticipation of a religious holiday, but to write it from a layman’s perspective. I did just that and the publisher was pleased. Enter new editor, who was very religious, and she re-wrote the entire piece and it sounded like a priest wrote it. Not only was my voice gone, but the piece no longer had it’s easy-to-follow, layman’s perspective. People came to me later and asked when I decided to go to the seminary.

    There are edits to improve a piece, and there are edits that dismiss the voice of the writer, add erroneous information, and in some cases, lose the essence of the interview. Editors and writers are partners–both vital to the process, and should have a relationship based on mutual respect. Just as writers make mistakes, so do editors. That’s why it has to be a partnership.

    • http://www.authorpeterdehaan.com/ Peter DeHaan

      Maria, I’m so sorry to hear about your bad experiences. Yuck!

      Editors have an ethical responsibility to maintain the integrity of an author’s work and these two clearly missed that.

      Just as there are novice writers, there are novice editors — as well as professional writers and professional editors.

      The question then is how can we maintain a balance between an author’s desire to protect his or her work and an editor who doesn’t have time to share edits and review comments?

      • Maria

        Peter, Thanks for your response. This is definitely a conundrum. Not sure if the solution is an electronic one with a limited time to review an edited piece or what it could be. I wish I knew how to solve this. Maybe we all should brainstorm a bit on that… Everyone’s busy these days. But some sort of check and balance system would be great. No one’s perfect. Be well!

  • Maria

    Hello. Thanks for your informative post. I have to disagree with one part: “You’re a rookie if you require approval of all changes.” I have to tell you, I have had a few bad experiences that have led me to always request to see edits before print.

    Once, for a newspaper, I submitted a piece (an interview with a well-known author) and the editor added an introduction that didn’t make a whole lot of sense, and just seemed to express his own adoration of the author. Then he added facts that were not correct. When I saw the published piece, I was in shock. What happened to my article? When I asked him what happened, he simply said he “reserved the right to edit,” and when I told him the facts entered were incorrect, he said they were correct “as far as he knew,” (he obviously didn’t fact check) and I “shouldn’t question.” Now I would call that unprofessional and “rookie” type behavior from an editor.

    I had another incident, with a magazine, where I was asked to write about fasting in anticipation of a religious holiday, but to write it from a layman’s perspective. I did just that and the publisher was pleased. Enter new editor, who was very religious, and she re-wrote the entire piece and it sounded like a priest wrote it. Not only was my voice gone, but the piece no longer had it’s easy-to-follow, layman’s perspective. People came to me later and asked when I decided to go to the seminary.

    There are edits to improve a piece, and there are edits that dismiss the voice of the writer, add erroneous information, and in some cases, lose the essence of the interview. Editors and writers are partners–both vital to the process, and should have a relationship based on mutual respect. Just as writers make mistakes, so do editors. That’s why it has to be a partnership.

  • http://www.henwoodtitles.weebly.com Brian Henwood

    The problem with being a rookie is: sometimes not knowing you are hard to work with.
    What I think is engaging or being invested might come off as needy or uninformed.
    On the other hand, what I see as professional and low-maintenance could seem disconnected and apathetic.
    Yes, I obsess and over think things. I try to find that middle ground, but I still wonder whether I’m a “Great,” “Groom,” or “Groan?”
    I get far more form rejections than I do constructive criticism. I understand the whole “we’re very busy” thing, but how much longer does it take to say “learn to spell check, idiot.” than it does just to paste a boiler plate and click send?
    Help us rookies a little by telling us what we do wrong, so I can do it better the next time.

  • http://jilldomschot.com Jill

    I’m an excellent writer, and I’m easy to work with. Maybe I should send off more work. But as a nobody, I don’t know how to prove I’m easy to work with. I’ve mentioned this before–I think on this site–and the guest blogger insisted editors can usually detect this. Is this true? Can you detect a writer who is easy to work with?

    • http://www.authorpeterdehaan.com/ Peter DeHaan

      Most definitely!

      The first hints of being easy to work with are present in the initial email message and enhanced by future communications when and if they are warranted.

      I make the assumption that new each writer will be professional and easy to work with — and then it’s up to them to confirm that or or prove me wrong.

      • http://jilldomschot.com Jill

        That’s heartening. Thanks for your reply.

  • http://www.thewritersfriend.net Donna Clark Goodrich

    I edit writers’ manuscripts and the two things I hate to hear the most are: “I couldn’t write it fast enough,” and, “God gave it to me so I can’t change a single word.”

  • Pingback: Great Stuff from the Writers’ Blogs, August 1, 2012 « cochisewriters

  • http://www.kristenlnelson.com Kristen Nelson

    Excellent info Peter… and quite timely too as I begin my pursuit of work as a freelance writer. Best, Kristen

  • http://www.timothyburns.com Tim Burns

    Great post Peter. Glad to have your contributions to our group.

  • http://www.authorpeterdehaan.com/ Peter DeHaan

    Thanks to everyone for hanging out with me yesterday to discuss this topic. It was great fun. But that doesn’t mean it’s over. I’ll be checking back periodically for additional comments.

  • http://tnealtarver.com TNeal

    Thanks, Peter, for offering a clear view of being a writer–professional, rookie, or rank amateur. On a day when I feel like a rookie, you have displayed that silver lining behind the dark clouds. Your additional insights in the reply section help as well.

    • http://www.authorpeterdehaan.com/ Peter DeHaan

      TNeal, in my opinion, the fact you’re seriously reading this blog tells me you’ve already moved beyond novice status.

      You are on your way!

  • http://adventuresinhypergraphia.blogspot.com Kelly

    Do you think editors are forgiving when a new writer is still learning the industry, and thus isn’t always in line with that rule? Assuming they do follow the others and are easy to work with, of course.

  • http://www.authorpeterdehaan.com/ Peter DeHaan

    Kelly, that all depends on the editor, including how busy they are at the time, what they think of your submission, and how many articles they have in queue. (Sometimes it’s a matter of timing.)

    The key is to submit your very best work, have a teachable attitude, and be humble.

    I wish you the best.

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